dinnerandashow

Silence is of the gods; monkeys chatter. - Buster Keaton

1,210 notes

He shielded his head with his hands in Sherlock, Jr., too, right before he rolls in front of the train.  He may have been a tad anxious about this shot.  Maybe he didn’t want to hear the trolley approaching?  

He shielded his head with his hands in Sherlock, Jr., too, right before he rolls in front of the train.  He may have been a tad anxious about this shot.  Maybe he didn’t want to hear the trolley approaching?  

(Source: maudit, via busterholic)

Filed under It's all about trust

83 notes

thedasbracket:

Die Nibelungen (1924) - Der Drache | Behind the scenes Information

The dragon was about sixteen metres long. It was worked from underneath and came down a steep path. Underneath were six or eight men who pushed the dragon along a track. The dragon was actually sitting on one or two iron sheets. It was attached to them and hovered above the slope of the ground. It didn’t touch the ground anywhere, just it’s tail. Four men sat in the dragon, one in each leg. Two men sat at the front to operate the head. The end scene where Siegfried bathes in the dragon’s blood had to be doubled. The actor Paul Richter didn’t want to be naked in front of a camera, because he feared it would destroy his reputation as actor. They used a double every Lang fan will know for sure: Rudolf Klein-Rogge, who played Rotwang in “Metropolis” was willing to double for Richter.

(via railwayshoes)

Filed under dragon silent film wow

10 notes

Buster Keaton and Sound

nitrateglow:

Alright, here’s an interesting question: Let’s assume Keaton was still an independent filmmaker well into the early 1930s. Could he have adapted his style to sound the way he wanted (only using dialogue when necessary) and been successful? I was reading a review of one of his MGM talkies and the author said that Keaton couldn’t adapt, which I disagree with, but it got me wondering how well an independent Keaton talkie might have done at the box office.

It is an interesting question and I’d like to take a stab at it.  I’m 100% certain he could not have carried on as an independent.  The sound technology was too expensive.  But, even LLoyd and, IMO, Chaplin, who were millionaires and both extremely talented, did not adapt well to sound.

 As far as the MGM talkies go, every one that Buster made was considered a success, because they all made money (and they were made during the Depression!).  Even “What, No Beer?” was a hit.  That’s why we see the photo of Keaton with Jackie Cooper so often here.  It’s a publicity still for what was to be Buster’s next MGM feature, a movie called “Buddies”, but Buster was fired.

I think if he’d been given his own unit, picked his own stories, and been allowed to prove himself, he would have made some damn fine films, most likely would have pushed the creative aspects of the technology forward, and turned a profit for the company.  The ideas he pitched to MGM were amusing (for instance, the parody of Grand Hotel would have been great), but they, unfortunately didn’t go for it.

If you look at what he did at Educational with such low budgets, the best parts are silent, but when the sound is there it works.  What comes to mind is his parody of “Mary” at the opening of “Grand Slam Opera” and later the dance sequence at the radio station, he’s reacting to the music.  And he’s marvelous.

The problem with Buster was not that he couldn’t adapt to sound.  He did.  The problem was that he wanted to be his own boss, and in that era, he couldn’t.  

Since he was not the type of person who wanted to spend his time arguing, he decided to drink instead.  Which led to a few bad years for him, but, hey, he came out the other side in one piece, still funny, still working and isn’t that why we love him in the first place?  

Filed under Buster Keaton

164 notes

A completely tasteless and gratuitous gif set of Buster wiggling his butt in Free and Easy  

Every time I see this one, it makes me laugh.  Only an actor confident in the knowledge that his behind is adorable would have allowed this to be recorded on film.  Kudos, Buster.

(Source: railwayshoes, via lovebustereyes)

1 note

Anonymous asked: Hi! saw that you're self-publishing a Fan Fiction on Buster! I did one last year! Let me know the title and link .. would love to read it! I'm on Facebook .. Garance Watteau

It’s turning into a more involved process than I expected, but great fun.  I’ll share the link when it’s finally up.  Where can I find your novel?  I love all things Buster and would enjoy reading it.  I have an author page on Facebook, Tracy S. Wolfe, but I’m terrible on updating it.

Cheers to you,

Tracy